Accomplished novelist Richard Sykes struggles to come up with a concept for a new book while trying to resolve his troubled marriage to Haley. In the process, he seeks out friends and colleagues to assist him in overcoming his personal demons that may servr to make him or break him.

和一群职业单板滑雪选手一起踏上环球征途，历经俄罗斯和加拿大的街道、日本的密林、印度和阿拉斯加的峭壁、阿尔卑斯的山峦以及格陵兰的秘境。这不仅是一项运动，更是一次旅行和一种生活态度。

The film opens with Seoul’s “Freedom Center,” a formidable brutalist building that has become synonymous with South Korea’s anti-communist regime. Though largely abandoned today, its influence still endures. In democratic Korea, the civil war has morphed into a war of images, one that has forged an impregnable, unambiguous reality for its people. In this lyrical, insightful, and skillfully-edited essay, Kim Mooyoung analyzes a wealth of visual materials, intercutting newsreel footage with surprising, at times poignant, and often utterly absurd excerpts from South Korea’s distinguished film history, exposing the chasm between history and propaganda, and revealing how echoes of the past have been meticulously preserved and replicated in South Korea’s present. Accompanied by captivating commentary, all these elements fit together harmoniously, leaving us both astonished and unsettled by ideology’s terrifying ability to hit hardest when veiled.

The film opens with Seoul’s “Freedom Center,” a formidable brutalist building that has become synonymous with South Korea’s anti-communist regime. Though largely abandoned today, its influence still endures. In democratic Korea, the civil war has morphed into a war of images, one that has forged an impregnable, unambiguous reality for its people. In this lyrical, insightful, and skillfully-edited essay, Kim Mooyoung analyzes a wealth of visual materials, intercutting newsreel footage with surprising, at times poignant, and often utterly absurd excerpts from South Korea’s distinguished film history, exposing the chasm between history and propaganda, and revealing how echoes of the past have been meticulously preserved and replicated in South Korea’s present. Accompanied by captivating commentary, all these elements fit together harmoniously, leaving us both astonished and unsettled by ideology’s terrifying ability to hit hardest when veiled.

【荒木哲郎 × SawanoHiroyuki[nZk]：Hata Motohiro】『COLORs』 　　楽曲タイトル：『COLORs』（書き下ろし楽曲） 　　監督：荒木哲郎（『進撃の巨人 Season1～3』監督･総監督、『甲鉄城のカバネリ』監督、『バブル』監督） 　　音楽：SawanoHiroyuki[nZk]：Hata Motohiro 　　キャラクターデザイン:米山舞 　　アニメーション制作：WIT STUDIO

【荒木哲郎 × SawanoHiroyuki[nZk]：Hata Motohiro】『COLORs』 　　楽曲タイトル：『COLORs』（書き下ろし楽曲） 　　監督：荒木哲郎（『進撃の巨人 Season1～3』監督･総監督、『甲鉄城のカバネリ』監督、『バブル』監督） 　　音楽：SawanoHiroyuki[nZk]：Hata Motohiro 　　キャラクターデザイン:米山舞 　　アニメーション制作：WIT STUDIO

In the aggressive and often hostile world of youth grass roots football Adam (17) faces an ultimatum from the team captain (Mike) when they discover Adam's best friend Tom is gay.

A bored future society starts to come alive with the addition of primary colors, as its world gradually becomes a groovy hippy paradise.

In the aggressive and often hostile world of youth grass roots football Adam (17) faces an ultimatum from the team captain (Mike) when they discover Adam's best friend Tom is gay.